08 November 2006

Let's listen to some old (time) religious music

While we're working on our Jamboree stuff, I'd like to open up another box of roots music goodies, namely gospel/religious music. There are three major reasons for heading into this:
  • Most of music we've been listening to is either solo or in small groups; a lot (but not all) religious music in performed by groups, often large groups.
  • Religious music is wonderfully eclectic in terms of styles; the set I've picked out includes blues, country, choirs, quartets, and sermons.
  • (Early) religious music features a significantly higher percentage of female performers than the blues and country we've been listening to; religious music was a more socially acceptable (and safer) venue for women.
Note that religion itself is not the point of this. While it was obviously important to (many) of the people that made this music, we don't need to like or dislike, agree or disagree with the religious views, anymore than we have to agree or disagree with the views expressed in any of the other music we've listened to in order to explore and discuss it.

I've created two roughly hour long listening lists of religious music in my iTunes library, and I'd like everyone to come up to the classroom (evenings or weekends) to listen to them over the next few weeks. Let's plan on listening to the first set by next Tuesday (14 Nov), and the second by the following Tuesday (21 Nov).

The sets contain music by a lot of names that should be familiar by now (Charley Patton, Robert Johnson, Skip James, the Carter Family, Hank Williams), lots of important people that you may not be familiar with (Mahalia Jackson, Fisk Jubilee Singers, Dorothy Coates), as well as lots of really obscure people that I know little or nothing about.

This leans more to the vocal than the instrumental, and there are some amazing bits of singing (solo and group) in these sets. (I only wish I could sing like that!) There are also some remarkable sermons. African-American sermons were commonly recorded and released in the 20s and 30s, and they demonstrate some wonderful relationships between speech and music in those churches. Most of these sermon recordings are old, but there are two from the 60s from the great Long road to freedom collection. One combines a song with an excerpt from a speech by MLK (nicely illustrating the important connection between gospel music and the Civil Rights Movement), while the other is a completely creepy re-creation of a slave church service combining "Amazing grace" with a most unsettling sermon (you have been warned).

While most of the songs are old (the bulk is pre-1940), I've also included a few contemporary songs. There are three variations of "Ain't no grave", one of which is quite recent, and there's a wonderful song by Lyle Lovett that combines country song writing with gospel performance style in a great way.

As you listen to each group, pick out a song to blog about. As well as writing about your general response to and thoughts on the music, I'd like everyone to say a little about one specific song and how it relates (preferably in a substantive way) to something else we've listened to, read about, or discussed in the class.

It's great music - enjoy!

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